Luke Evan Rangel
Is an American artist and award winning short filmmaker from Denver Colorado. Applying his A-Z style process of creation to film-making, he immerses himself in all phases of film creation, from conceptualization, writing, story boarding, to being behind the camera as well, producing, editing and directing. His passion for film making stems from the idea that a single thought can be translated into a shareable tangible Idea or expression through film. His love of creating these expressions can be traced back to a present his mother got him in 1992 called Mario Paint. this was his first interaction with a software that could bring his ideas to life! In 1995 Luke began his self tough journey of film-making when his father purchased him a video editing PC capable of importing analog films and digitizing them as well as Luke's first digital camera. Luke's style of film-making was also greatly influenced by his older cousin Erik Rangel and his creative out of the box gorilla style of film-making on little to no budget, while always adapting to the situation and circumstances to bring his visions to film. Over the year Luke has specialized in many types of short film projects including commercials, short film concepts and Music Videos. Luke showed no interest in math growing up, only as the result of a subjective internal witnessing of a described super symmetrical hyper dimensional geometrically infinite conciseness, the idea for the concept of Geometric Infinity was born, Luke was 22 years old at the time. Luke wrote a single page of numbers that he believed contained the evidence that would validate his experience. Armed with only a single page of numbers, some very deep internal thoughts and two of visionary artist Alex Grey's books (Transfigurations and Sacred Mirrors) and over the last 13 years has been developing these ideas, in to an objectively shareable proof of the experience. Drawing for thousands of hours over the last three years creating hundreds of geometric representations of the experience and digitizing many of them and setting into motion his thoughts through the visual art of film-making, creating a visually expressed geometric symphony of the profound underling structures that define the systematic thought process. he has finally defined the concept, and created many models in visual form. Luke's definition of the geometric and dimensional shapes of numbers is a ground breaking way to perceive numbers as well as the systematic thought process itself and may even give an example of a working mathematical model of systematic mind itself.
